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THERE IS, THUS, NO OBJECTIVE PERCEPTION
of a face because, in a way, the face does not exist, it is not a thing, not even a static and full image, just a place, a territory where everything is inscribed and from where everything escapes, inside and outside the objective space.
José Gil, The Art of the Portrait (transl.)
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Suzanne Opton, "Soldier: Claxton - 120 Days in Afghanistan" (2006)
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Aurélia de Souza, "Autorretrato" (1900)
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Andy Warhol, "Marylin" (1964)
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Suzanne Opton, "Soldier: Claxton - 120 Days in Afghanistan" (2006)
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